Seven Deadly Sins
Also known as: Capital Vices
Pride, greed, lust, envy, gluttony, wrath, sloth — Christian schema of root sins.
The Seven Deadly Sins (also Capital Vices or Cardinal Sins; Latin: peccata capitalia) are the Christian schema of fundamental vices from which other sins arise — sins called 'deadly' or 'capital' (caput = head, source) because they head a category and produce other sins. The framework descends from the eight evil thoughts (logismoi) developed by Evagrius Ponticus in the late 4th century in his desert-monastic context, refined by John Cassian (Conferences and Institutes, early 5th century), and reduced to seven by Pope Gregory I (Gregory the Great) in his Moralia on Job (late 6th century). The Gregorian list became standard in Western Christianity: superbia (pride), avaritia (greed), luxuria (lust), invidia (envy), gula (gluttony), ira (wrath), and acedia (sloth, with substantial complexity in translation — originally despondency or spiritual listlessness, now generally rendered as laziness). Pride is traditionally the chief sin, the root from which others spring (regina peccatorum). Each sin is paired with a corresponding virtue (humility, generosity, chastity, gratitude, temperance, patience, diligence) in the contrasting framework. The Seven Deadly Sins were substantially developed in medieval theology (Aquinas's Summa Theologiae I-II Q.84), in pastoral practice (the confessional, manuals for confessors), and in literature (Dante's Purgatorio is structured around the seven sins; Chaucer's Parson's Tale; Marlowe's Doctor Faustus). The framework remains operative in Catholic moral theology and has substantial cultural penetration well beyond Christian religious practice.
Core components
- Seven capital vices: pride (superbia), greed (avaritia), lust (luxuria), envy (invidia), gluttony (gula), wrath (ira), sloth (acedia)
- Pride as chief sin (regina peccatorum)
- Pairing with seven contrasting virtues
- Connection to broader Christian moral theology
- Distinction from venial vs mortal sin
- Connection to monastic and confessional practice
- Distinction from earlier Evagrian eight logismoi
- Cultural penetration via Dante and other literary works
Primary use case
Catholic moral theology and pastoral practice; foundation for confession and spiritual direction; teaching framework in Christian moral education; substantial cultural influence on Western literature and art (Dante, Chaucer, Bosch, contemporary popular culture); reference framework in Christian engagement with moral psychology; basis for some popular self-development frameworks that draw on the schema.
Common criticisms
- Specific list reflects historical-cultural choices — the Evagrian eight logismoi included vainglory as separate from pride and the Gregorian reduction to seven involved interpretive choices that shaped subsequent tradition
- cultural specificity: the framework reflects Mediterranean-European Christian moral concerns and may not exhaust universal moral psychology
- translation difficulties: acedia (originally spiritual despondency in monastic context) has been rendered variously as sloth, laziness, or boredom, with substantive shifts in meaning
- pride as chief sin can be challenged by traditions emphasizing different roots (e.g., greed in liberation theology, envy in Augustinian readings)
- contemporary moral theology has sometimes reframed or augmented the list (Pope Francis has spoken of 'social sins' beyond the traditional seven)
- tension between the framework's medieval origins and contemporary moral concerns (the seven do not address the bulk of contemporary structural injustices)
- commercial popular-culture treatment varies in fidelity to traditional theology
- Protestant Reformation traditions have generally retained the framework but with reduced emphasis given different sacramental theology of confession.
Lineage
- Siblings
- Theological Virtues, Beatitudes